via: djordjadze
Notes:
Thea Djordjadze’s sculptural practice is a compelling exploration of materiality, form, and spatial relationships. Her works often appear as fragile assemblages that balance between structure and impermanence, drawing attention to the tension between organic and industrial elements. Djordjadze employs materials such as plaster, glass, metal, and fabric, transforming everyday objects into poetic constructions. This transformation highlights her interest in process and improvisation, as the visible traces of her hand lend intimacy to otherwise austere forms. Her sculptures suggest architectural remnants or fragments of domestic spaces, evoking a sense of transience and memory. By working within this liminal space, Djordjadze invites viewers to engage in a contemplative experience, questioning the boundaries between art and artifact.
Djordjadze’s practice is deeply rooted in her background in painting, which informs her sensitivity to color, surface, and composition. Even as her work exists primarily in three dimensions, it often reflects a painterly sensibility, as seen in her use of layered textures and subtle hues. This duality between sculpture and painting enables her to create environments that feel both spatially expansive and visually intimate. Her installations often unfold organically, responding to the architecture of the exhibition space and embracing asymmetry and negative space. This responsiveness reinforces the site-specific nature of her work, making each exhibition a unique encounter. By blurring the line between the constructed and the accidental, Djordjadze prompts viewers to reconsider their perceptions of order and disorder, permanence and fragility.
What makes Djordjadze’s work especially compelling is its ability to evoke emotional and psychological resonance through abstraction. Her use of fragmented forms and repurposed materials taps into a sense of nostalgia and displacement, reflecting broader themes of cultural memory and identity. Born in Georgia and later based in Berlin, Djordjadze’s personal history subtly informs her practice, imbuing her work with a sense of migration and adaptation. This autobiographical undercurrent, however, never overshadows the formal and conceptual rigor of her sculptures. Instead, it enriches the layers of meaning embedded within them, allowing viewers to approach her work from multiple perspectives. Through this combination of formal elegance and conceptual depth, Djordjadze challenges conventional notions of sculpture, offering a nuanced and deeply personal exploration of space and materiality.
- RJG